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Lesson Details

21 – Three Different Time Feels

Ed Soph

This lesson expands on the ride concepts by introducing the band. Ed shows us how to either layback, play on the beat or play slightly ahead while using subtle dynamic and technical adjustments to the ride cymbal. Listen close and you can hear and feel the differences between Ed and the rest of the band.

Please purchase the course before starting the lesson.
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Lessons
18 – Interacting with Rhythm Section and Soloist
Ed Soph
19 – Relationship between Bass and Drums
Ed Soph
20 – Comping In a Rhythm Section
Ed Soph
21 – Three Different Time Feels
Ed Soph
22- Tempo Consideration with a Melody
Ed Soph
23 – Straight Eights, Samba, Different Tempos
Ed Soph
24 – Brushes on a Ballad
Ed Soph
25 – Jam for Fun
Ed Soph
Related Videos
17 – Doxy as a Jazz Samba, Jazz Songo
Ed Soph
16 – Time Keeping Format, Solo Construction, Space and Motif Development
Ed Soph
15 – How the Ride Pattern Can Alter the Time Feel
Ed Soph
14 – Technique at Different Tempos
Ed Soph
13 – Consistency of Sound, Time, Dynamics (With Full, Double and Faster Strokes)
Ed Soph
12 – Improvising the Song with Brushes
Ed Soph
11 – Improvising the Song with Fills on the Pad
Ed Soph
10 – Learn to Internalize the Melody
Ed Soph
9 – Brush Application
Ed Soph
8 – Brush Technique
Ed Soph
7 – Hi-Hat Technique
Ed Soph
6 – Pedal Technique
Ed Soph
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Playing In A Jazz Rhythm Section | Lessons 18-25

  • 18 – Interacting with Rhythm Section and Soloist
  • 19 – Relationship between Bass and Drums
  • 20 – Comping In a Rhythm Section
  • 21 – Three Different Time Feels
  • 22- Tempo Consideration with a Melody
  • 23 – Straight Eights, Samba, Different Tempos
  • 24 – Brushes on a Ballad
  • 25 – Jam for Fun

About the Artist

Ed Soph
Ed Soph is one of the most respected and influential drum set educators in the world. His former students at the University of North Texas include Earl Harvin, Ari Hoenig, Keith Carlock, Jason Sutter, Bill Campbell, Blair Sinta, Rich Redmond, Brian Delaney and Stockton Helbing. Ed participated for many years in the Jamey Aebersold Summer Jazz Workshops where he taught John “J.R.” Robinson and Steve Houghton. Ed’s own career includes playing and recording with the big bands of Stan Kenton, Woody Herman, Bill Watrous, and Clark Terry; and, combos with Joe Henderson, Bill Evans, Lee Konitz, Randy Brecker, Marvin Stamm, Bobby Shew, Cedar Walton, David Liebman, Eddie Gomez, and Carl Fontana.

Ed was inducted into the Percussive Arts Society’s Hall of Fame in 2016.

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